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Design Spotlight On: Erik Magnussen




I recently broke one of my prized Porcelight pendant lamps over my dining table. More than upset, I made contact to see if I could replace it. It was a chance mail which led to me feeling truly inspired by the deceased designer - and realising that I also owned several other pieces by Erik Magnussen - including the classic Stelton vacuum pitcher. Today Magnussen's designs live on through the family business. I caught up with his son Magnus to find out more about the award-winning designer and found his humbleness, struggles with dyslexia and background as an inventor a true inspiration.



Porcelight - Made By Hand (photo My Scandinavian Home) 

How did Erik's Younger Years Influence His Profession?
Erik grew up in a home influenced by art. His Father was a scientist, inventor and an engineer and his Grandfather was an artist (also named Erik Magnussen) who counted Danish architect Thorvald Bindesbøll and artist Svend Hammershøi as friends. Erik was severely dyslexic (he could barely read), but went to a creative-minded primary school which allowed him to spend a lot of time drawing and playing with clay. When Erik was twenty, he built a ceramic workshop in the basement of his parent's home with the help of his Father. A year later he was offered a job at Danish ceramics manufacturer Bing & Grodahl.

Did Erik consider himself a designer?
Erik never called himself a designer, but his passion for crafts began with clay and he always spoke of himself as a ceramicist. However, in his early years at Bing & Grondahl, his work would mostly be described as art. He primarily made sculptures, and the focus was on small productions. But he was eventually drawn to mass production and his projects evolved into porcelain for kitchens - both for private use and businesses.







Porcelight - Made By Hand (photo - My Scandinavian Home)

Did you ever work closely with your Father? If so, how was he in his workspace?
I wasn't working in the company when Erik was active, but his studio was attached to my childhood home and he worked from there since I was born. He very much enjoyed being self-employed, he had complete autonomy over his work and still had the ability to be very productive. Erik got inspiration from everywhere and it felt like he was always working. He spent very little time at his desk, but when he did, he was sketching or working with clay models. He liked the partnership he had with Stelton and Engelbrechts Furniture and he worked closely with the product development departments until the day he passed away.










1960s Z Folding Chair by Erik Magnussen for Torben Orskov (photo courtesy of 1stdibs

What did his creative process look like? 
Erik looked to solve problems he experienced in everyday life, whether it was designing an ergonomically shaped chair, or a thermos jug you could hold with one hand while reading the paper in the other. A lot of his design stemmed from readily available products that annoyed him. He once said:

"Certainly, there is no real need for more stuff. There is so much crap around. And unless you can somehow raise the quality, make everyday life a little bit easier for the end user, only then can you justify adding to the pile." 

He always carried out a lot of research to see what was already available and worked closely with the product development department to keep the production process as simple as possible.





Petit Plateau Lounge Chair / Erik Magnussen for Engelbrechts (2009) (Photo courtesy of Engelbrechts). Erik found inspiration for this chair by contemplating the shape of his left hand. He made the first model from clay.

What was Erik like as a person?
Erik was just as tolerant as his designs. Nobody was too small. There wasn't a clear divide between his work and private life: he worked with people he liked, and many became good friends. He was very humorous, and people often tell me his designs reflect this. He had a concept which he called 'fine-thinking' - it was kind of a joke, but there was some truth to it too. He would lay on a sofa in the living room, put on Miles Davis and close his eyes. To me, it looked very much like he was asleep, but after thirty minutes he would get up and go straight to his workspace and draw something as though he had drawn it hundreds of times before.

Erik has helped shape Scandinavian design in many ways. What set his work apart?
Erik had a different approach to design from other earlier Scandinavian designers. He was more like a scientist. Aesthetics was never his top priority. He had an extraordinary interest in materials, comfort, the production process and making everyday life easier. He took the concept of 'simplicity', which so often characterises Scandinavian design, to another level. Simplicity formed the basis of everything he did. He simplified the process for both the user and the factories in a way which hadn't been seen before. He also wanted to keep the prices down so that they were accessible to more people. I don't think you can find many iconic pieces with prices as low as Erik's. He moved away from creating sculptures for upper-class family gardens to creating mass market products for that very reason.

Erik Magnussen Ship's Lamp 1004 (Photo courtesy of Stelton

Was he ever aware of this?
I think he was aware, but I don't think he thought a lot about it. He was professionally engaged but did not feel the need for attention from the media etc. That's probably why his products are far more famous than his name.

Was there a key turning point in Erik's career?
While Erik was working as a ceramicist at Bing & Grondahl he was headhunted by Stelton to take over the position of in-house designer from Arne Jacobsen. He went on to design one of the most successful vacuum jugs of all time.






The iconic, best-selling Press Coffee Maker and Vacuum Jug which Erik designed for Stelton (photo courtesy of Stelton).

What did your Father think of the success of the Vacuum Jug?
Popularity was not really my Father's thing; the rest of his family was way more excited when it appeared in movies etc! However, I think he appreciated that he had designed a product that people like to use, and it opened up doors for him as a designer and gave him the peace of mind to take on only projects which he felt passionate about.

Did he focus on items solely for the home?
His work spanned many areas. He was known for table top items and furniture, but he also designed interiors for sailboats, navigation equipment and even mixing chambers for the intravenous treatment of cancer patients.

How do you continue his legacy today? 
My vision is to tell the story about Erik in the right way and bring his favourite products back to life. We are currently working on a new website for Erik Magnussen Design, that will tell the story of his creative process and how he worked. It will represent the way Erik mastered simplicity, and how simplicity was more than just straight lines. I hope to see some of his early products go back into production. Some of them have been removed from the market due to business merges, but the products are still there, and it’s up to us to find the perfect manufacturer.

Will you create any new products for the brand?
This has been a sensitive subject since Erik passed away, because we want ‘Designed by Erik Magnussen’ to mean exactly that. However, there have been several product launches since his death, where we worked with smaller details that hadn't been dealt with by Erik. This has been carried out in close collaboration with professional designers who knew him and what he stood for. This autumn we launched an electric kettle with Stelton, which is based on the classic EM77. Erik had already produced a lot of sketches for the kettle, but there were small details that needed to be solved in
order for it to go into production, and we were very happy to get help with the final 1% of the product. We also bring new colour ways to the classic EM77 each year which enables us to refresh the products without changing the design.



EM77 press tea maker & EM77 electric kettle. Photo Brian Buchard, Stelton

Thank you so much for taking the time to tell us more about your Father's designs! I shall look at my wonderful Porcelight and Stelton Vaccum jug in a new light from now on (and certainly be way more careful with them too!

Do you have any Erik Magnussen designs in your home?

Niki

Top photo: Erik Magnussen, Plateau chair (Engelbrechts), EM77 (Stelton).

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The Timeless Danish Home of A Jewellery Designer & Vintage Furniture Collector


Oh yay - I do believe it's Friday! Finally! Do you have fun plans?! We're heading up to the west coast to work on a new renovation which I'm so excited about - but of course, not really relaxing (all will be revealed next Sunday!). Before we all shoot off for the weekend, I wanted to share one final home tour. And it's a beauty! Welcome to the Copenhagen home of Anders Forup, a jewellery designer and vintage furniture dealer, his partner Nina and their adorable babba (*kiss those cheeks*!). Needless to say, the home is teeming with incredible Scandinavian design classics including the Arne Jacobsen Ant chair, Hans J Wegner Peacock Chair and the Skultuna Lily candlestick holder* to name but a few. The furniture, art, and lighting shine against a backdrop of white and soft, mid-blue (when I said this shade was set to big, I wasn't kidding!). Nora and Laura of Our Food Stories paid a visit and snapped these lovely pictures.





Oj oj oj (as they say in Sweden) this space is beautiful! I am so in love with the blue shade in the bedroom - possibly my favourite room in the house (but it was a narrow squeak - the whole house is pretty fabulous!). 

It's also one of those spaces which feels timeless - it could look like this in 10-20 years and still feel current. I guess, that's the beauty of classic furniture (especially Scandinavian pieces which were designed to withstand the test of time), don't you think?

Did anything stand out to you? 

In case you'd love a little more Danish inspiration for the weekend (or planning on. visiting Copenhagen anytime soon), Anders shared these tips:

Anders Forup's Top Five
Favourite music: Madeleine Peyroux 
Three things to do in Copenhagen: Design Museum Denmark, Louisiana and Little Bakery on Holmen
Favourite instagram accounts: @bendtsens and @auktionstipset

Read the full interview over at Our Food Stories here

I'll love you and leave you (BTW my Swedish husband thinks this is a really weird phrase to write on the blog - but in the UK it's a perfectly normal saying - does it sound strange to you?) with these fabulous danish homes:


Trevlig helg! See you Monday friends! 

Niki

PS If you'd like to make your dreams even sweeter, I'm holding a give-away on instagram this weekend to win two luxury down pillows from Swedish brand Carpe Diem Beds - one for you and one for your partner / friend, and it's open to all! Hop on over to enter (closes on Monday).

Photography: Our Food Stories - shared with kind permission.

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Before + After: A Dated Danish 1950's House Gets A Fabulous Make-Over

I love a 'before and after', don't you? And this 1950's house in Fredericia, Denmark, designed by architect Knud Billund, has gone through quite a transformation! When photographer Mia Mortensen, Martin and their adorable baby boy, Aston first moved in, the space was dated and begging for a little TLC.  Mia and Martin set about painstakingly renovating the 3-storey house to create a fabulous family home which combines contemporary touches with 'functionalist' bones - and lovely, warm accent colours.

Before



The master bedroom (before)

 During the renovation


The pair laid a concrete floor in the kitchen and dining room from Danish brand Conteco.

The kitchen and dining area and upstairs landing are connected by a magnificent 1950's staircase.

The couple were really keen to add a large round table to the dining area, and drew a sketch of the room to ensure there was enough space.

 They settled on a fabulous round table from Traefolk and added a set of chairs which include the Ant*, 7-series Thonet (this one* is similar) and CH88P chair not a bad collection!!


After


The back wall of the dining room has been painted in Burnt Earth by Flugger - and has been used as a gallery wall made up of art from Hein Studio (including the Line Collection No.04* and Line Collection No. 05*) and Nelli Arnth, among others. I also spy a fabulous Verpan Moon Pendant light and the Hans Wegner Shell chair!


 The kitchen tap is by Quooker - and the lights over the work station are from Menu

Sometimes it can be hard to get an idea of the layout of a space (I really must be more organised and try to provide this... perhaps when the intern AKA knight in shining armour starts!). From the top of the stairs you can catch a glimpse of Aston's room beyond the dining room and the kitchen is to the left. 

I couldn't resist sharing a before picture of the upstairs landing. The pair re-plastered and painted the walls and ripped up the floor boards and replaced it with beautiful square parquet flooring. 

I always get a little nostalgic when I see this type of flooring as we used to have it in our kitchen as a child.  I used to pick out the individual bricks and use them to build homes for my play people. Not popular, I can tell you!

Window nook before

Window nook after


What a wonderful, light-filled place! I do love a window nook, don't you? I've got a whole Pinterest board dedicated to them!

The warm accent colour (Terracotta by Jotun) creates an almost cocoon like feel in the bedroom, while the light floor helps to brighten up the room (you can see how it looked before the wood was sanded down and white washed in this film!).

The Crinkle thrown in peach by Hay works so well with the Terracotta wall - and I love the touches of brass (that chair!! *jaw drops*).

The bedroom also doubles up as an office space. Seeing this, I'm kind of tempted to update my own office wall - in terracotta, what do you reckon? I hope the man doesn't read this, he'll go nuts that I'm even considering changing the colour once again

And finally, Aston's room has been painted in a rich blue hue and all his teddies look completely at home and tucked up for bed in that cosy Stokke Sleepi cot!


What a truly lovely home! I'm such a huge fan of 1950's architecture and so happy Mia and Martin have given it the full treatment and turned the space into a fantastic family home!

Is there anything about this home that you love in particular?

You can keep up with Mia's latest renovation projects over at her Instagram feed still_sunday and take a peek at her photography here.

Oh, and check out more fabulous before and after make-overs here

Have a lovely day!

Niki

Photography by Mia Mortensen, shared with kind permission

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A Charming Copenhagen Loft with Mid-Century Classics



It's Friday - härligt! How about a cosy home to top off the week? Earlier this year, Laura and Nora of Our Food Stories captured Line Borella's charming loft in Copenhagen. Line shares the space with her "patchwork family" which includes her daughter Nola, boyfriend Martin, and his three children. Line's career started in fashion, having been a part of the team who developed Copenhagen Fashion Week back in 2007, but she has since hopped over to the world of interiors, working in global PR for Danish brand MENU. Her home is a wonderful mish mash of mid-century Danish design pieces, iconic lighting, fluffy Moroccan rugs and new Nordic pieces. Enjoy the tour!







The family love cooking and designed the kitchen with plenty of work surfaces and a place for everyone to hang out and socialise while food is being prepared.

 

 


What a charming home! I love the original Danish design classics - it's amazing to see how they've withstood the test of time, testimony to the incredible craftsmanship.

Is there anything that stood out to you?

See more pictures and read an interview with Line on Design Tales

For more Danish inspiration over the weekend you might like to take a peek at the beautiful colours in this Jutland home, a charming boho apartment decorated on a shoe-string budget and a relaxed, mid-century inspired space.

We've just arrived in the Loire Valley, France to celebrate my Mum's birthday. We got up at the crack of dawn to catch a red-eye flight. I'm definitely feeling it now, but hopefully it's nothing a cool glass of Sancerre can't cure! 

Salut! Bon Weekend!

Niki

Photography: Laura & Nora of Our Food Stories / Design Tales, shared with kind permission 

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